![]() The fascinating revamp of the iconic main score remixed by Kevin Kiner presented each episode’s opening reel as if it were a news flash projected in a classic film theater we get caught up with the relevant events as we dive into a new adventure. Star Wars: The Clone Warsdug into George Lucas’ affinity for serial adventures with its bite-sized, 22-minute episodes. Thankfully, the composers on these projects have embraced these shifts in tone. While they all take place in the same universe, Andorfeels like a spy series, The Clone Wars feels like a World War II serial, The Mandalorianfeels like a western, Rogue One felt like a war epic, and Solo felt like a classic caper. It’s exciting that new Star Wars films and shows are introducing interesting departures in genre. While the Skywalkers’ impact on the galaxy will ripple throughout every story in the universe, the galaxy far, far away has embraced a larger continuity than the one dominated by a single bloodline. Williams’ music is the music of the Skywalker saga, a trilogy of trilogies that told the story of one family. Williams’ music is tied to very specific moments and concepts that we associate with the nine Skywalker saga films those themes don’t necessarily apply to every Star Wars project in the works. ![]() With new Star Wars shows being developed all the time, it would start to feel stale if they all sounded identical. While Williams’ music is often brought back in legacy franchise projects, the Star Wars franchise has employed multiple composers that have added their own perspective to ways that the franchise sounds. However, Williams is also retiring soon, as Indiana Jones and the Dial of Destiny is set to be his final score.
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